KPDWORKS

Something weird happens when you show an excerpt of a piece that is nowhere near completion. It feels so vulnerable and raw. I want to shout "don't look at me my makeup's not done" like a little nervous clown. But excerpts are also extremely useful and can illuminate the future trajectory of a process.

My first experience at an international residency was incredible. I spent so much time exploring and learning to surrender. We were CREATURES: fireflies, vultures, snakes, fairies and dragons. The work stretched and yawned and came alive... and so did I

There's only one way to describe May: Chaotic...During difficult rehearsals I marveled at the beauty found in Governor's Island, another gem in the city I had overlooked.

I’ve been thinking about exploration and process. Coming off the run of Sur at La MaMa and diving head first into my residency at the Shed I experienced a sort of creative whiplash. The adrenaline from the show reached its fever pitch and then the residency hit a reset. To travel back from Antarctica to my stationary bike took some effort but soon I was able to get the gears turning both literally and metaphorically. In the development of Sur we spent so much time just being